Cheers (1982)

Watchseries; There aren't very many shows that I deem almost (or absolutely) perfect. 'Cheers' is, by far, definitely one of them. On the top. 'Seinfeld', 'Roseanne', 'Bewitched', 'Frasier'...(Those are just a few of the others that I think are great.)

'Cheers' is the perfect show because it has something for everyone. There are so many different character personalities to chose from in that one, simple bar that you can't NOT have a favorite. I don't think anyone (anyone that's ever watched the show) could say "I don't like it, I don't like any of them!" ...But how could you not? For the people that want an (at least) semi-intellectual character (instead of everyone being a complete moron) they have Frasier, Diane, Lilith. Everyone loves Norm's witty one-liners as he enters the bar. Coach and Woody are goofily funny in their own stupidity. Carla has her crude, sarcastic zingers. Sam and his "little black book." Cliff with his "know-it-all" attitude when in actuality he doesn't know a thing. Rebecca's a great, all-around character...

It also has the backup of being CONSTANTLY funny, some episodes aren't completely boring, then the next, twenty times funnier than the one before (though, I admit, some are absolutely hilarious!) It gets better and better with each year, not old and drawn out, just more jokes! That's why it lasted so long.

So, if any of you read this, look in you're TV guides to see when it's on. After just a few, you'll know and love the characters, and you'll be completely hooked!

There aren't very many shows that I deem almost (or absolutely) perfect. 'Cheers' is, by far, definitely one of them. On the top. 'Seinfeld', 'Roseanne', 'Bewitched', 'Frasier'...(Those are just a few of the others that I think are great.)

'Cheers' is the perfect show because it has something for everyone. There are so many different character personalities to chose from in that one, simple bar that you can't NOT have a favorite. I don't think anyone (anyone that's ever watched the show) could say "I don't like it, I don't like any of them!" ...But how could you not? For the people that want an (at least) semi-intellectual character (instead of everyone being a complete moron) they have Frasier, Diane, Lilith. Everyone loves Norm's witty one-liners as he enters the bar. Coach and Woody are goofily funny in their own stupidity. Carla has her crude, sarcastic zingers. Sam and his "little black book." Cliff with his "know-it-all" attitude when in actuality he doesn't know a thing. Rebecca's a great, all-around character...

It also has the backup of being CONSTANTLY funny, some episodes aren't completely boring, then the next, twenty times funnier than the one before (though, I admit, some are absolutely hilarious!) It gets better and better with each year, not old and drawn out, just more jokes! That's why it lasted so long.

So, if any of you read this, look in you're TV guides to see when it's on. After just a few, you'll know and love the characters, and you'll be completely hooked!

Cheers watchseries. The perfect setting for any tv show in my opinion, was this little bar in Boston. After a couple of so so seasons (NBC claims to have left it on because they had nothing else to air) the show really hit its stride in the mid 80s, with the core being the romance between Sam and Diane. But lending a comic hand were Norm, the unemployed accountant, Cliff the know-it-all mailman, Carla the spitfire waitress, Coach the dim-witted bartender (who passed away in the 85 season), Woody the second dim-witted bartender, and in later years Frasier the neurotic shrink. After the 87 season Shelley Long (Diane)left the show to pursue a film career, unsuccessfully. She was replaced, by my personal preference, with Kirstie Alley as Sams love interest and female foil. Too many high points along the years to mention, but top episodes would be the one where Woody and Sam try and kiss Rebecca, any episode dealing with Garys Old Towne Tavern, Rebeccas visiting sister, and maybe the night at the opera episode. ("Get a load of the warheads on that cellist!") Only real downside was the final episode, which didnt really tie up loose ends very well. None of the characters had any real life changes, the bar wasnt sold or destroyed, everyone stayed put, and the overall amount of laughs werent very strong. But there were so many other great moments that a bad send off can easily be overlooked.

This show is an absolute classic!

All these years later Cheers is still hilarious. The jokes, stories and characters hold up today.

Not many shows can last that long and choose to go out on top. The cast was amazing.

Despite a lot of cast changes the show stayed great, which is very hard for TV shows to do.

I think most people will love this show after the first season which is kind of slow. It dips a bit in the later seasons as well but not much.

... and the people who populate this little watering-hole become so familiar to you that they start to feel like family after awhile. Everybody has their own personalities and preoccupations, and with Norm it's only ever one thing: Beer. (What else?!) How the writers managed to dream up always funny one-liners connected to his favourite beverage for 11 years, I'll never know, but anyway... There was also his wife Vera, who never was seen but was often the source of some laughs. It's intricate little running gags like that which made it easy to spin off and create another successful comedy institution with "Frasier".

If I had to pick one I'd say my favourite character was Sam, though. He didn't have very many passions in life (probably only two: women and baseball) but he never stopped thinking about them, and there's a funny quality to a guy who's not ashamed to admit he's that single minded. You could mostly predict what Sam was going to try to do each episode, he'd attempt to get each of his head barmaids to sleep with him. The comedy in that comes from the many diverse ways he planned to do this, and that no matter how many times he was rejected or foiled, he kept coming back. You've gotta admire a guy for trying, and Ted Danson is famous for playing most of his material in such an easy and relaxed manner that it's hard at times not to pull for him to succeed.

I for one would like to say "Cheers!" to the creators and cast for blessing us with such a great show.

The difference between Cheers and about 90% of the other sitcoms that have come and gone, is that in Cheers, nothing seems forced. The characters interact with such chemistry, that all you have to do is tune and it's like sitting at a bar listening to you're best friends tell tall tales. The characters, especially Sam Malone and Coach, are so well-rounded that the joy comes simply from watching them interact. As far as I can remember almost every episode of Cheers ended with someone smiling or laughing, and it's that sense of warmth that is so rare in television, that it makes Cheers stand tall amongst any competitor, then OR now. I feel wholly justified in calling Cheers the best program ever made. It's just that good.

PS-I hope in Heaven I can sit at Cheers, and watch Sam hit on girls, listen to Carl tell useles trivia, and see Norm catch curving beer bottles around the corner of the bar.

MIke Renzella

I adored "Cheers" on its original release in the early 80's and have lately been revisiting my adoration in catching re-runs right back to the first series. Like the best series, it makes you stay with it, through series after series, cast changes or not, like other American favourites of mine "The Mary Tyler-Moore Show", "Rhoda" "M.A.S.H." "Taxi" "Newhart" and more recently "Friends". Indeed it's easy to see "Cheers" influence on the latter, both fixing much of the action on a popular drinking hole. This was back in the days when writers wrote laugh-out-loud jokes and characters you could empathise with unlike today's post modern ironic shows where the odd line might make you smile at best. "Cheers" always kept you watching for the next line, which more often than not brought forth a laugh. Set-bound as it was, like, say, the bridge on the Starship Enterprise, familiarity bred content as you got to know the characters and their surroundings. The characters were great from the start, Sam "Mayday" Malone, pseudo-intellectual barmaid Diane, the feral barmaid Carla, permanent bar-stool residents Cliff and Norm and best of all the dotty bar manager Coach, with a heart of pure gold. Newer characters entered as the series progressed, especially oddballs Frazier and Lilith Crane, Carla's combative husband Nick and later, the dim young barman Woody Harrelson's "Woody"(a great replacement for Coach) and Kirsty Alley's "Backseat Becky" (ditto for Diane). Great as the smart direction and comedic delivery were, it was all about the writing. Great writers like Heidi Perlman, the Charles brothers, David Lloyd and Earl Pomerantz kept the quality high, season after season as I'm sure my end-to-end re-viewing will testify. 7 down, 244 to go!