The Truth Will Out (2018)

Watchseries; As a zealous fan of Scandinavian crime fiction in general, and Swedish more specifically, I was eagerly awaiting to watch this series and one of the main reasons was that Leif G.W. Persson is one of the three screenwriters of "The Truth Will Out'' (original title: "Det som göms i snö"). Persson is one of the top criminologists in Sweden and as an author he has written the monumental "Fall of the Welfare Stete" trilogy, one of the genre's classics along with "Millenium" trilogy by the late Stieg Larsson and "Martin Beck" novel series by Maj Sjöwall and Per Wahlöö.

After watching the eighth and final episode of this series, I felt far from satisfied mainly due to the show's dull tempo and the not-so engaging storyline. Even though the first two episodes are promising something really good, the rest of the series seems to be dragging on, lacking a specific focus as far the plot is concerned. The final conclusion is equally discontenting and foreseeable. On the plus side, I should mention the captivating cinematography of the series, set in Stockholm, and the more than decent performances by the main protagonists. Robert Gustafsson is truly great in his portrayal of the solemn and sombre Inspector Wendel who still cannot accept his brother's suicide some years before. I also liked Louise Peterhoff and Christopher Wagelin performances as police detectives.

To sum up, this show was not exactly my cup of tea but this doesn't mean that it will not appeal to other viewers. In my opinion "The Truth Will Out'' cannot stand in comparison with the genre's top series such as "Bedrag", "Bridge" or "Innan Vi Dör". It will mainly be remembered for its great sense of location and beautiful photography.

As a zealous fan of Scandinavian crime fiction in general, and Swedish more specifically, I was eagerly awaiting to watch this series and one of the main reasons was that Leif G.W. Persson is one of the three screenwriters of "The Truth Will Out'' (original title: "Det som göms i snö"). Persson is one of the top criminologists in Sweden and as an author he has written the monumental "Fall of the Welfare Stete" trilogy, one of the genre's classics along with "Millenium" trilogy by the late Stieg Larsson and "Martin Beck" novel series by Maj Sjöwall and Per Wahlöö.

After watching the eighth and final episode of this series, I felt far from satisfied mainly due to the show's dull tempo and the not-so engaging storyline. Even though the first two episodes are promising something really good, the rest of the series seems to be dragging on, lacking a specific focus as far the plot is concerned. The final conclusion is equally discontenting and foreseeable. On the plus side, I should mention the captivating cinematography of the series, set in Stockholm, and the more than decent performances by the main protagonists. Robert Gustafsson is truly great in his portrayal of the solemn and sombre Inspector Wendel who still cannot accept his brother's suicide some years before. I also liked Louise Peterhoff and Christopher Wagelin performances as police detectives.

To sum up, this show was not exactly my cup of tea but this doesn't mean that it will not appeal to other viewers. In my opinion "The Truth Will Out'' cannot stand in comparison with the genre's top series such as "Bedrag", "Bridge" or "Innan Vi Dör". It will mainly be remembered for its great sense of location and beautiful photography.

The Truth Will Out watchseries. I really enjoyed this drama and it reminded me of Beck. There are a lot of familiar faces from other dramas; Arne Dahl, Before We Die, Bonus Family, The Bridge, Blue Eyes, Thin Ice, Jordskott. It is quite understated, but the story knits together well over the 8 episodes. There are some good characterisations, performances and some subtle humour and a touch of romance. The only dip for me was around episodes 7 and 8 where a well worn clichéd internal police scenario was featured, but as it was integral to the story line it soon passed. I see there is a second series scheduled, I look forward to it.

Based on true events; the main plot, mentally fragile detective discovers during a cold case review, a dodgy cover-up concerning multiple murders. The case is complex and nail biting at times. The sub plot explores how his mismatched team of rejects start to bond together and uncover the truth. Barbro, the middle-aged admin assistant with sciatica, turns into a female Reacher when she unexpectedly gives a Glasgow Kiss to an assailant. Jorma (who wants to become an estate agent) and Kajsa (whom he accused of stealing money from a drug den) start to form an unlikely and effective alliance. Uplifting, entertaining and intriguing- absolutely loved it.

Well, one can question the reality of some scenes and solutions, but on the other hand, the narration is based on true events, so it is not a fully constructed stuff. The characters are quaint, yet evolving, and their actions and ideas emanate from the (painful) past. The mood is well captured, enhances by flashbacks and environment, and apart from tragic/dramatic scenes, there are ones making your giggle... At last but not least - the roundup of the crime is neither regular nor desitive.

As to the performances, they are good/excellent, and unlike many Swedish crime series, the number "frequent participants" is smaller than usual (apart from Thomas W. Gabrielsson perhaps). Robert Gustafsson, usually a comedian, is a convincing detective here with complex past (he won the Swedish Kristallen Award for this), and many from the supporting cast are worth following (Ia Langhammer, Ville Virtanen, among others).

8.5 means 9 points here. Good work!

I'm about 4 series into my discovery of Scandinavian Noir and rather enjoyed this one. I had no idea Robert Gutsafsson was a known comedic actor until I read other reviews which made me enjoy his performance as Peter even more. But my favorite thing about this one is the performances by the ladies. Ia Langhammer steals every scene she's in. She's simply magical! Maria Sondbom Lorelius is daring as she finds her way to her own brand of justice in a male dominated world. I'm also such a fan of the b story with Christopher Wagelin and Louise Peteroff. She's the wild card of the bunch but you always know to trust her instincts. Beautifully shot and yet another series I stand in amazement of set decoration and lighting. I swear Swedes are the most clean living people on the planet. Looking forward to another season.

Best show Sweden ever made. So nerve tickeling and had me at The edge of my SEAT.

For a comedian to do this role so well is beyond me. Even better then Tony rickardsson 😊