ER (1994)

Watchseries; Alongside The Simpsons, ER is one of the longest running US TV shows and through its successful blend of wonderful and memorable characters, intriguing story lines, strong intensity involving the cast and impressive action sequences, this medical drama is by far streets ahead of the likes of Chicago Hope and even Grey's Anatomy. Unfortunately in recent years, ER has declined in quality due to the departure of key characters, poor story lines and dull ideas, of which accounted for the decrease in viewing figures. The current crop of characters Neela, Luka, Abby, Pratt, Taggart and Barnett don't hold a candle to the experienced old rear guard of Greene, Carter, Benton, Lewis, Hathaway and Ross. They, in particular, were the original, and arguably the best set of characters the show has had.

The earlier seasons of ER were great- those times were witty, exciting and a joy to behold for us viewers. Such a shame however that when the old characters had left- or in the case of Mark Greene passed away- the writers of this drama were unable to fill that void with their newer, replacement characters, as well as good story lines and as such, the programme has suffered as a result.

There were a few story lines I didn't agree with; likewise for example, Mark Greene and Elizabeth Corday getting married together as a couple. I always had an inkling for Mark and Susan, of whom I felt had a lot more in common with each other and considering the history they had together as close friends and work colleagues they had a bond and chemistry that was like a match made in heaven. Also, a lot of ER fans preferred Mark to be with Susan, compared to those who liked Mark and Elizabeth. And so its such a shame that we never got to see Mark and Susan as a couple. There were also tragic and memorable story lines which are worth mentioning also that touched viewers hearts- Mark's brain tumour and his evitable death, Benton's son being mentally handicapped, Weaver coming to terms with her sexuality and coming out as a lesbian to her friends, work colleagues and family, and the consummation of Luka and Abbey and Ross and Carol's relationships.

The main problem with the ER though were the main characters of the earlier seasons who were on the show for a few series, and then suddenly they are written off. It doesn't matter how many new ideas, characters you introduce to the show because it is the original ideas, characters and realism of the show, of which worked so well in the first place that should be further developed. I wouldn't say that ER has jumped the shark, but it is certainly no longer the same show as it was back in 1994. ER is currently in its 14th season and whilst it is somewhat of an impressive feat, many of the original cast have gone and yet it can be argued that in reference to the current season the show has gradually become boring and stale, the longer it has gone on.

As the saying goes, all good things must come to an end- and ER perhaps is no exception. Perhaps now it is the time to lay this ghost to rest. As much as it is arguably the best and most successful medical drama in TV history, ER during the last few years has spiralled downhill; the writing isn't as good as it was and it has lost a lot of its spark, which made it the no#1 hit US drama around. Still, as mentioned earlier, it is still the best medical/hospital drama to ever grace our screens. As not even the classic St Elsewhere and Chicago Hope comes close to matching, rivalling or surpassing ER's accomplishm

Alongside The Simpsons, ER is one of the longest running US TV shows and through its successful blend of wonderful and memorable characters, intriguing story lines, strong intensity involving the cast and impressive action sequences, this medical drama is by far streets ahead of the likes of Chicago Hope and even Grey's Anatomy. Unfortunately in recent years, ER has declined in quality due to the departure of key characters, poor story lines and dull ideas, of which accounted for the decrease in viewing figures. The current crop of characters Neela, Luka, Abby, Pratt, Taggart and Barnett don't hold a candle to the experienced old rear guard of Greene, Carter, Benton, Lewis, Hathaway and Ross. They, in particular, were the original, and arguably the best set of characters the show has had.

The earlier seasons of ER were great- those times were witty, exciting and a joy to behold for us viewers. Such a shame however that when the old characters had left- or in the case of Mark Greene passed away- the writers of this drama were unable to fill that void with their newer, replacement characters, as well as good story lines and as such, the programme has suffered as a result.

There were a few story lines I didn't agree with; likewise for example, Mark Greene and Elizabeth Corday getting married together as a couple. I always had an inkling for Mark and Susan, of whom I felt had a lot more in common with each other and considering the history they had together as close friends and work colleagues they had a bond and chemistry that was like a match made in heaven. Also, a lot of ER fans preferred Mark to be with Susan, compared to those who liked Mark and Elizabeth. And so its such a shame that we never got to see Mark and Susan as a couple. There were also tragic and memorable story lines which are worth mentioning also that touched viewers hearts- Mark's brain tumour and his evitable death, Benton's son being mentally handicapped, Weaver coming to terms with her sexuality and coming out as a lesbian to her friends, work colleagues and family, and the consummation of Luka and Abbey and Ross and Carol's relationships.

The main problem with the ER though were the main characters of the earlier seasons who were on the show for a few series, and then suddenly they are written off. It doesn't matter how many new ideas, characters you introduce to the show because it is the original ideas, characters and realism of the show, of which worked so well in the first place that should be further developed. I wouldn't say that ER has jumped the shark, but it is certainly no longer the same show as it was back in 1994. ER is currently in its 14th season and whilst it is somewhat of an impressive feat, many of the original cast have gone and yet it can be argued that in reference to the current season the show has gradually become boring and stale, the longer it has gone on.

As the saying goes, all good things must come to an end- and ER perhaps is no exception. Perhaps now it is the time to lay this ghost to rest. As much as it is arguably the best and most successful medical drama in TV history, ER during the last few years has spiralled downhill; the writing isn't as good as it was and it has lost a lot of its spark, which made it the no#1 hit US drama around. Still, as mentioned earlier, it is still the best medical/hospital drama to ever grace our screens. As not even the classic St Elsewhere and Chicago Hope comes close to matching, rivalling or surpassing ER's accomplishm

ER watchseries. ER in its present, 2003 form is a schizophrenic mess. For every one intelligent, caring episode comes four or five exercises in downbeat, melodramatic soap opera which sap all the energy out of the show's still-present technical mastery. This four-disc set is a welcome flashback to the show's humble beginnings, when it wasn't supposed to be the most heart-pounding show on television, and succeeded on will, not on hype.

The central characters in the first season are Chief Resident Dr. Mark Greene (Anthony Edwards), ER Residents Susan Lewis (Sherry Stringfield) and pediatrician Doug Ross (George Clooney), Head Nurse Carol Hathaway (Julianna Marguiles), Surgical Resident Dr. Peter Benton (Eriq la Salle) and his protégé, third-year med student John Carter (Noah Wyle, the only actor to remain on the show through the entire run). They brought a fresh edge to the oft-repeated world of medical drama, helped greatly by the first television show, in my estimation, to ever put actual intelligence into the presentation. On ER, the cameras move, the people move, the consistent hustle and bustle of an actual environment is palpable, and not simply a setpiece. It's interesting to note that although the show was never broadcast in widescreen until 2001, in the middle of it's seventh season, these first episodes are all presented in the wider format. At first it might seem like hubris, but most of them fit the frame very well, with shots composed and staged for the wider picture - it's not `cinematic' just for its own sake.

Standout episodes from the season include the exposition-heavy `Pilot' which still found time for drama; `Blizzard' which was a tour-de-force of film, editing, and cutting edge medical realism; `Hit & Run' & `Sleepless in Chicago' which dealt with the heavy burden of juggling personal & professional medical care, as well as Carter's development as a doctor; and `Love's Labor Lost', an absolute masterpiece from every angle: drama, directing, scripting, staging, scoring, every cosmic tumbler clicked into place for this episode centered around Greene's tragic triumph in the case of a pregnancy gone bad.

The show took a few (deserved) knocks for being shamelessly convenient in its storylines and ignoring the realities of daily hospital structure in favor of sensationalism. This is exaggerated a little, but still a valid point; rarely an episode goes by without something in the line of an unexpected pregnancy, a suicide attempt, a violent skirmish between doctor and patient, or (in one outrageous case) a 12-year old gang member brining his Glock into a trauma room to try and finish another 12-year old off. Still, the show displayed remarkable resilience in almost always rising to become greater than the sum of its parts. Naturally, that ability has waned and virtually disappeared, but these episodes are no less enjoyable as a result of that.

This show has been a remarkable, long-lasting hospital drama. The acting has been superb, and the story lines intelligent, and played out very well. The show has come down a bit in recent years. It can still be compelling, but it seems some of the acting is not quite up to what it used to be.

I still remember an episode (I believe it was in the second season), where Dr. Greene (Anthony Edwards) ended up misdiagnosing a pregnant woman. She went into labor in the parking lot, and ended up back in the ER, eventually dying after a horribly bloody delivery (Bradley Whitford from "West Wing" played the husband). I will never forget that episode as long as I live. That was truly one of the finest, and most heart-wrenching television episodes I had ever seen. The nightmare just wouldn't seem to end. Anthony Edwards was just remarkable. I felt emotionally drawn and worn-out after watching it. That just doesn't happen with television anymore.

This show can still be compelling, and it doesn't shy away from sensitive subjects. Like Doctors and Nurses in emergency rooms, it doesn't dwell on, and overdramatize things, but tries to portray them realistically, and then moves on. Although these doctors and nurses can be understandably prone to self-pity, the show doesn't dwell on it. These people have to pick up and carry on, and the show does also.

All in all, very intelligent and thoughtfully done, for the most part.

I first started watching when I was 14, it was 2002 and season 8. I had been going through a lot at home and this was the first show I'd watched that actually inspired me. The characters weren't perfect and often had complicated personal lives but they were realistic.

This show inspired me so much that I decided I wanted to work in an emergency department and that's exactly what I did. I'm now a nurse. This show is pretty realistic as far as the medicine goes, although I think every medical show is slightly unrealistic as to make it entertaining.

I have seen a lot of reviews that say that the earlier seasons are the best but I'd have to disagree as I think season 7-9 are the best but I thoroughly enjoy the entire show. Even the episodes that aren't the best are still amazing in comparison to newer shows.

I also am a fan of other medical shows such as Chicago Hope, greys anatomy and code black however they do not compare to ER. It is a classic and still translates well even 10 years after it finished.

Definitely worth a watch if you haven't seen it. I think I've watched it at least 5 times from start to finish by now and it still hasn't gotten old and me being a nurse hasn't ruined it like it has a few other shows.

Some TV shows have a structure such that you can tell almost from the beginning how long the show has to live. As much as I loved "Scrubs", that show was built around a few core characters, and once their stories were played out, that was pretty much be the end of that show. "Cheers" basically had a double length of life due to the fact it was actually two shows instead of one - the first 5 seasons with Diane and the last 6 seasons with Rebecca as the female lead. "ER" is different. It has a large cast of constantly revolving characters, and the story lines will always be there as long as there is controversy in medicine to merge with the personal drama. Early in ER's history, things were different. George Clooney's character, Doug Ross, was really the star of the show, although they did spread the stories around so that there was quite a bit of focus on the other characters too. This was a successful formula, but once Clooney became a star and a heartthrob he quickly tired of television and longed for the big screen. Thus, starting in season four, he is absent more and more as he goes off to make action films and the show began to look like it was going to suffer from "Welcome Back Kotter" syndrome, where John Travolta's success on the silver screen killed that show. After Clooney actually did formally exit stage left, the show changed the formula to its current one of spreading the action around with nobody in particular having the spotlight. I guess my point with all of this is, this is how ER managed to go on a total of 15 seasons, with even one extremely unlikeable character being written in as interesting, even if that one character in particular came to an end worthy of Wiley Coyote.

Highly recommended.

I have seen every single episode from 1994 to present. I can't say much to it personally that can do it justice so I'm simply going to leave it at that I have learned much from this show, it has a lot of feeling and a lot of heart, and I have grown with it. If I'm labeled as a die-hard fan, then so be it. I'm a guy and I love E.R. Hey, I'm square with that... ; ) And to those who say it's too long because characters leave... welcome to real life. People go places, they die, they have their troubles, they go out with 4 different people (sometimes incredibly in the same workplace). They don't call it drama for nuttin' :D