Roseanne (1988)

Watchseries; I was twelve years old when "Roseanne" came out, and vividly remember it having such a huge impact on my family, as well as society as a whole. For the first time, middle-class families could identify with characters on a sitcom, and enjoy real life issues and problems being handled with utmost care and realism.

What made "Roseanne" unique was its utter lack of vanity, superficiality, and unrealistic idealism. In the age of "The Cosby Show," and "Family Ties," Roseanne stormed in as an overweight, screaming mother who didn't always keep her house clean, didn't pay the bills on time, didn't always have the answer, and didn't keep her sexuality hidden. From the very first episode, viewers got to see a messy house, screaming kids who don't always listen, and parents who struggle with money, menial jobs, and weight issues. Finally, a real family on television! Can you think of another show where the female lead walks around the house with an xxx-large bright pink bathrobe, rollers in her hair, and can still be taken seriously? Whatever you might think of Roseanne personally (in terms of her public behavior), she never let it effect the quality of the show. The show benefited from WONDERFUL writing, a fantastic cast, and a pitch-perfect blend of comedy and drama. The show had some incredibly funny moments, combined with profoundly touching scenes that really played well on television; the show was never sappy, and stayed true to life. In my opinion, virtually every episode during seasons one through six, with rare exceptions, played out like thirty minute masterpieces. By seasons three and four, the show had reached perfection.

Roseanne acted her heart out on this show, and got better every year. She could always deliver a sarcastic one-liner like no other, but as the show progressed she managed the dramatic scenes with perfect accuracy. She managed to infuse her strong, sarcastic exterior with an incredible dose of heart and generosity. John Goodman had exceptional chemistry with Roseanne, and turned Dan into a hard-working, loving father that we all wish we could have. Laurie Metcalf's Jackie was, perhaps, the shows most complex character, and, in my opinion, the best actor of them all. She could take even mundane lines and turn them into hysterical comedy. Metcalf turned Jackie into a cool, sympathetic character you always wanted around. The sister relationship between Roseanne and Jackie was perhaps the most realistic ever portrayed on TV.

The kids of the show were also exceptional. I remember watching Darlene when I was a kid/teenager, and thinking "finally, a realistic depiction of a teenager." The iconic Darlene was a tomboy, depressed at times, and certainly not your typical happy, popular, beautifully perfect character. She had many challenges, emotions, and Gilbert pulled them all off with complete ease. Darlene was a hero to anybody who felt like they didn't fit in. Becky was the whiny, spoiled brat of the bunch, played beautifully by Lecy Garonson; she never hit a false note. Sarah Chalke, on the other hand, was sub par, and really should never have been cast as a replacement. Even DJ, the youngest of the bunch, had some incredible one-liners, and managed to be completely real.

Overall, this show goes down as a masterpiece; it's exactly what a TV show should be: Hysterically funny, profound, insightful, relevant, and, above all, completely entertaining.

I was twelve years old when "Roseanne" came out, and vividly remember it having such a huge impact on my family, as well as society as a whole. For the first time, middle-class families could identify with characters on a sitcom, and enjoy real life issues and problems being handled with utmost care and realism.

What made "Roseanne" unique was its utter lack of vanity, superficiality, and unrealistic idealism. In the age of "The Cosby Show," and "Family Ties," Roseanne stormed in as an overweight, screaming mother who didn't always keep her house clean, didn't pay the bills on time, didn't always have the answer, and didn't keep her sexuality hidden. From the very first episode, viewers got to see a messy house, screaming kids who don't always listen, and parents who struggle with money, menial jobs, and weight issues. Finally, a real family on television! Can you think of another show where the female lead walks around the house with an xxx-large bright pink bathrobe, rollers in her hair, and can still be taken seriously? Whatever you might think of Roseanne personally (in terms of her public behavior), she never let it effect the quality of the show. The show benefited from WONDERFUL writing, a fantastic cast, and a pitch-perfect blend of comedy and drama. The show had some incredibly funny moments, combined with profoundly touching scenes that really played well on television; the show was never sappy, and stayed true to life. In my opinion, virtually every episode during seasons one through six, with rare exceptions, played out like thirty minute masterpieces. By seasons three and four, the show had reached perfection.

Roseanne acted her heart out on this show, and got better every year. She could always deliver a sarcastic one-liner like no other, but as the show progressed she managed the dramatic scenes with perfect accuracy. She managed to infuse her strong, sarcastic exterior with an incredible dose of heart and generosity. John Goodman had exceptional chemistry with Roseanne, and turned Dan into a hard-working, loving father that we all wish we could have. Laurie Metcalf's Jackie was, perhaps, the shows most complex character, and, in my opinion, the best actor of them all. She could take even mundane lines and turn them into hysterical comedy. Metcalf turned Jackie into a cool, sympathetic character you always wanted around. The sister relationship between Roseanne and Jackie was perhaps the most realistic ever portrayed on TV.

The kids of the show were also exceptional. I remember watching Darlene when I was a kid/teenager, and thinking "finally, a realistic depiction of a teenager." The iconic Darlene was a tomboy, depressed at times, and certainly not your typical happy, popular, beautifully perfect character. She had many challenges, emotions, and Gilbert pulled them all off with complete ease. Darlene was a hero to anybody who felt like they didn't fit in. Becky was the whiny, spoiled brat of the bunch, played beautifully by Lecy Garonson; she never hit a false note. Sarah Chalke, on the other hand, was sub par, and really should never have been cast as a replacement. Even DJ, the youngest of the bunch, had some incredible one-liners, and managed to be completely real.

Overall, this show goes down as a masterpiece; it's exactly what a TV show should be: Hysterically funny, profound, insightful, relevant, and, above all, completely entertaining.

Roseanne watchseries. I think the show is hilarious and nothing has changed and I am glad. However I would like to see what happened with David and Darlene. And I love that everyone still has the same chemistry and that Dan is still there. All the haters have no sense of humor. Glad Roseanne is back! Can't wait to see more!

A highly original take on the tired genre of the American family sitcom. At the time, the gold standard was "The Cosby Show" and "Family Ties", both upper-middle class and completely unrealistic. "Roseanne" was the first high-quality sitcom since the Honeymooners to focus on working-class families. This show took the idea of the 80s family show and stood it on its ear.

It took risks and chances that other shows were afraid to take, discussing subjects like homosexuality, child abuse, alcoholism, and teenage sexuality not just as one-show ideas, but as recurring themes. And though it wasn't successful all of the time, most of the time it was hilarious. I'd rather see a show take tremendous risks and fail than take the safe course and receive middling success.

The last couple of seasons were less than stellar, and the very last season was terrible and marked the first time that Roseanne hadn't been in the top 10 (or top 20) in the ratings consistently since it started. But overall, it had the guts to change its situation every once in a while (Roseanne had, I think, ten separate jobs in nine years) to shake things up and add new elements.

Roseanne should be considered one of the best sitcoms in television history as every classic show is a reflection of the times it represents. Roseanne has been off the air for about a decade now, and when I have a chance to watch it in syndication, I am always entertained. Even the last season, which was a disappointment, has its moments. It's also interesting to see how the characters evolved and changed over the years. I could be wrong about the following comment, but it seems somewhat obvious when Roseanne Barr was going through her divorce to Tom Arnold. Her performance on the show was more biting than usual during that particular season. Maybe it was the media, expectation, or something else. Either way, a new dimension to the show was added due to Barr's transformation (I believe it was Season 4 or 5).

What really makes Roseanne stand out and keeps it in good company with other classic sitcoms is its blending of comedy and drama, often displayed in one scene. Elementally speaking, it reminds me of All in the Family, Maude, and Good Times, shows that defined showcasing dramedy in the 70s. Also, the performances were terrific. John Goodman was outstanding and underused as Dan. I look forward to when he is on screen. Sara Gilbert delivered a consistently excellent turn as Darlene, and then there's Roseanne Barr. She made her mark and did it well. Estelle Parsons was fantastic as Beverly, and Laurie Metcalf had some scene–stealing moments as Jackie. These are talented performers giving us quality television to remember, along with the writers, director(s), producers, and everyone else involved in the project.

Anyone who finds Roseanne insulting, repugnant, and/or basically not worth watching may be missing the point of the show and the writing itself. Watch it again and really listen to the dialog. The characters are actually quite decent – they are simply not idealistic in a society that craves moral fortitude yet has difficulty maintaining a core foundation these days. Ozzie and Harriet they're not, but then again, a classic show is a reflection of the times it represents. Hence... Roseanne. The show would fair even better today with our present economy.

Thanks to ABC for giving us Roseanne. We are the richer for it!

It's strange that a revived television show is a breath of fresh air from most of the crap out there. This show felt nestolgic and new at the same time. Highly enjoyable and a show most working class families can relate to.

I watched it in the 90s when it originally aired faithfully. And yup! I still watch it everyday! I have every season on DVD, and I've had them for many years! I SWEAR I could never get sick of this show!! I think my favorite thing about it is the way the Conner family are like a normal American family with problems that most of us struggle with ourselves. They don't make them so rich it's ridiculous (except for when they win the lottery of course, but that was all part of Roseanne's book anyway, right?) They weren't afraid to challenge society. The some of the issues the characters faced were considered taboo back then but it didn't matter. Honestly I think this is one of the shows that opened the door for future sitcoms, allowing them also to add spice into them. The only thing I can say that is not positive is that I was and STILL AM TOTALLY BUMMED OUT ABOUT ROSEANNE BEING KICKED OFF THE SHOW!! IDK WHAT PEOPLE SAY, I STILL ADORE HER AND I ALWAYS WILL. SHE'LL HAVE MY SUPPORT FOREVER.. SHE'S BRILLIANT AND THERE AREN'T MANY ACTORS AND ACTRESSES THAT CAN DO OR HAVE DONE THE AMAZING THINGS SHE'S ACCOMPLISHED!!!