Set in a high fantasy world where magic exists, but only some can access it, a woman named Moiraine crosses paths with five young men and women. This sparks a dangerous, world spanning journey. Based on the book series by Robert Jordan.
Watchseries; Though I was extremely worried the Amazon adaptation of the Wheel of Time series -- now streaming in Ultra HD -- would prove far too rushed to do the size and scope of its world justice, it's about time we got a reimagining of something where very little needs to be changed to appease modish attitudes and political narratives. Was this so hard, guys? We finally have a situation where the social studies majors AND the metathesiophobic nerds get to be happy!
You don't need to change the characters' appearance for the mere sake of "diversity"; the world of the novels is already a varied realm, from the olive-complexion inhabitants of The Two Rivers, sans the likes of ginger Rand Al'Thor, to the Japan-inspired kingdom of Sheinar. You don't need to pretend that this was always a place where women are stronger than men and that the men who even attempt to use the One Power are caged and lobotomized; that's already the in-universe consequence of the Dark One's tainting of "saidin" (the "male half" of the True Source, which now turns its "channelers" insane). There's also the concept of "pillow friends", which I implore you to Google on your own.
The rest of my worries subsided when I began to see images. Just looking at a photograph of the Season 1 main cast, I could tell exactly who each one was supposed to be, and I could also pinpoint locations like Shadar Logoth. As someone who grew up with the PC game (an adaptation so obscure me and my brothers are likely its entire fanbase) and would later listen to the books, I was delighted. Fantasy experts know this series well, but modern viewers may not realize how much their J. K. Rowlings and George R. R. Martins owe to Robert Jordan.
Despite a few pacing issues and the sidelining of certain characters, the show works well for me so far and displays an adroit understanding of Jordan's world (there are about as many women crossing their arms as in the narrations of the books and even the soundtrack is reminiscent of Robert Berry's 2001 tribute album). Things like architecture and costuming are as awesome and intricate as in Jordan's text.
And again, I feel like there is actual thought behind the casting, even when it's actually "more diverse" than what was implied in the text. I always imagined the Whitecloaks as Aryan white supremacist types, but maybe I've been playing the PC game for too long. Anyhow, I feel like there is some modicum of love behind the project; a bit of pandering, but also love. I walk in the light with cautious optimism and am ready for more. I wonder if the FXX pilot is still canon.
TheVictoriousV20 November 2021
Though I was extremely worried the Amazon adaptation of the Wheel of Time series -- now streaming in Ultra HD -- would prove far too rushed to do the size and scope of its world justice, it's about time we got a reimagining of something where very little needs to be changed to appease modish attitudes and political narratives. Was this so hard, guys? We finally have a situation where the social studies majors AND the metathesiophobic nerds get to be happy!
You don't need to change the characters' appearance for the mere sake of "diversity"; the world of the novels is already a varied realm, from the olive-complexion inhabitants of The Two Rivers, sans the likes of ginger Rand Al'Thor, to the Japan-inspired kingdom of Sheinar. You don't need to pretend that this was always a place where women are stronger than men and that the men who even attempt to use the One Power are caged and lobotomized; that's already the in-universe consequence of the Dark One's tainting of "saidin" (the "male half" of the True Source, which now turns its "channelers" insane). There's also the concept of "pillow friends", which I implore you to Google on your own.
The rest of my worries subsided when I began to see images. Just looking at a photograph of the Season 1 main cast, I could tell exactly who each one was supposed to be, and I could also pinpoint locations like Shadar Logoth. As someone who grew up with the PC game (an adaptation so obscure me and my brothers are likely its entire fanbase) and would later listen to the books, I was delighted. Fantasy experts know this series well, but modern viewers may not realize how much their J. K. Rowlings and George R. R. Martins owe to Robert Jordan.
Despite a few pacing issues and the sidelining of certain characters, the show works well for me so far and displays an adroit understanding of Jordan's world (there are about as many women crossing their arms as in the narrations of the books and even the soundtrack is reminiscent of Robert Berry's 2001 tribute album). Things like architecture and costuming are as awesome and intricate as in Jordan's text.
And again, I feel like there is actual thought behind the casting, even when it's actually "more diverse" than what was implied in the text. I always imagined the Whitecloaks as Aryan white supremacist types, but maybe I've been playing the PC game for too long. Anyhow, I feel like there is some modicum of love behind the project; a bit of pandering, but also love. I walk in the light with cautious optimism and am ready for more. I wonder if the FXX pilot is still canon.
efd-1046720 November 2021
The Wheel of Time watchseries. An attempt to put a big story onto the small screen, with great scenery but clumsy editing and dialogue. The women are smart (many beautiful) the men are all dumb fools. The bit that really Irritated ted me was the 'look' Rosamund Pike gives as she enters a scene, dialogue stops, all characters look at her, the stars arrived ! All a bit cliche.
baunacholi-8615922 November 2021
To the mother of all... The Lord of the rings, 1-3 and Hobbit 4-6: impeccable acting, stunning scenery, profound story, wonderful CGI, haunting score, to die for Orginal Songs, nuanced dialogues, exquisite costumes and flawless make up.
PS: 1 star for the landscape / scenery, there're very good.
svader21 November 2021
Ms Pike surely cannot be hard up for business.
What is she doing in this dross?
So a bunch of people drink all day everyday . . .34 minutes of ep 1 before anything happens. Then all of the action is centred on Pike shifting the smoke about and destroying people's homes?
A bit of barble talking at the end and that's ep1 finished.
Must be me but one of the main characters needs to open his mouth as all I hear when he speaks is mumbling.
O hope it picks up and will give it a chance but if it is all like ep1 then it will be rubbish.
namstonk21 November 2021
So a book series is deemed viable for TV because after all the book sales are fantastic, so why does TV keep changing virtually everything. Embarrassing acting and just crap, I'm sorry for fans of the books. Another failure but not as bad as Foundation.
User Reviews
Watchseries; Though I was extremely worried the Amazon adaptation of the Wheel of Time series -- now streaming in Ultra HD -- would prove far too rushed to do the size and scope of its world justice, it's about time we got a reimagining of something where very little needs to be changed to appease modish attitudes and political narratives. Was this so hard, guys? We finally have a situation where the social studies majors AND the metathesiophobic nerds get to be happy!
You don't need to change the characters' appearance for the mere sake of "diversity"; the world of the novels is already a varied realm, from the olive-complexion inhabitants of The Two Rivers, sans the likes of ginger Rand Al'Thor, to the Japan-inspired kingdom of Sheinar. You don't need to pretend that this was always a place where women are stronger than men and that the men who even attempt to use the One Power are caged and lobotomized; that's already the in-universe consequence of the Dark One's tainting of "saidin" (the "male half" of the True Source, which now turns its "channelers" insane). There's also the concept of "pillow friends", which I implore you to Google on your own.
The rest of my worries subsided when I began to see images. Just looking at a photograph of the Season 1 main cast, I could tell exactly who each one was supposed to be, and I could also pinpoint locations like Shadar Logoth. As someone who grew up with the PC game (an adaptation so obscure me and my brothers are likely its entire fanbase) and would later listen to the books, I was delighted. Fantasy experts know this series well, but modern viewers may not realize how much their J. K. Rowlings and George R. R. Martins owe to Robert Jordan.
Despite a few pacing issues and the sidelining of certain characters, the show works well for me so far and displays an adroit understanding of Jordan's world (there are about as many women crossing their arms as in the narrations of the books and even the soundtrack is reminiscent of Robert Berry's 2001 tribute album). Things like architecture and costuming are as awesome and intricate as in Jordan's text.
And again, I feel like there is actual thought behind the casting, even when it's actually "more diverse" than what was implied in the text. I always imagined the Whitecloaks as Aryan white supremacist types, but maybe I've been playing the PC game for too long. Anyhow, I feel like there is some modicum of love behind the project; a bit of pandering, but also love. I walk in the light with cautious optimism and am ready for more. I wonder if the FXX pilot is still canon.
Though I was extremely worried the Amazon adaptation of the Wheel of Time series -- now streaming in Ultra HD -- would prove far too rushed to do the size and scope of its world justice, it's about time we got a reimagining of something where very little needs to be changed to appease modish attitudes and political narratives. Was this so hard, guys? We finally have a situation where the social studies majors AND the metathesiophobic nerds get to be happy!
You don't need to change the characters' appearance for the mere sake of "diversity"; the world of the novels is already a varied realm, from the olive-complexion inhabitants of The Two Rivers, sans the likes of ginger Rand Al'Thor, to the Japan-inspired kingdom of Sheinar. You don't need to pretend that this was always a place where women are stronger than men and that the men who even attempt to use the One Power are caged and lobotomized; that's already the in-universe consequence of the Dark One's tainting of "saidin" (the "male half" of the True Source, which now turns its "channelers" insane). There's also the concept of "pillow friends", which I implore you to Google on your own.
The rest of my worries subsided when I began to see images. Just looking at a photograph of the Season 1 main cast, I could tell exactly who each one was supposed to be, and I could also pinpoint locations like Shadar Logoth. As someone who grew up with the PC game (an adaptation so obscure me and my brothers are likely its entire fanbase) and would later listen to the books, I was delighted. Fantasy experts know this series well, but modern viewers may not realize how much their J. K. Rowlings and George R. R. Martins owe to Robert Jordan.
Despite a few pacing issues and the sidelining of certain characters, the show works well for me so far and displays an adroit understanding of Jordan's world (there are about as many women crossing their arms as in the narrations of the books and even the soundtrack is reminiscent of Robert Berry's 2001 tribute album). Things like architecture and costuming are as awesome and intricate as in Jordan's text.
And again, I feel like there is actual thought behind the casting, even when it's actually "more diverse" than what was implied in the text. I always imagined the Whitecloaks as Aryan white supremacist types, but maybe I've been playing the PC game for too long. Anyhow, I feel like there is some modicum of love behind the project; a bit of pandering, but also love. I walk in the light with cautious optimism and am ready for more. I wonder if the FXX pilot is still canon.
The Wheel of Time watchseries. An attempt to put a big story onto the small screen, with great scenery but clumsy editing and dialogue. The women are smart (many beautiful) the men are all dumb fools. The bit that really Irritated ted me was the 'look' Rosamund Pike gives as she enters a scene, dialogue stops, all characters look at her, the stars arrived ! All a bit cliche.
To the mother of all... The Lord of the rings, 1-3 and Hobbit 4-6: impeccable acting, stunning scenery, profound story, wonderful CGI, haunting score, to die for Orginal Songs, nuanced dialogues, exquisite costumes and flawless make up.
PS: 1 star for the landscape / scenery, there're very good.
Ms Pike surely cannot be hard up for business.
What is she doing in this dross?
So a bunch of people drink all day everyday . . .34 minutes of ep 1 before anything happens. Then all of the action is centred on Pike shifting the smoke about and destroying people's homes?
A bit of barble talking at the end and that's ep1 finished.
Must be me but one of the main characters needs to open his mouth as all I hear when he speaks is mumbling.
O hope it picks up and will give it a chance but if it is all like ep1 then it will be rubbish.
So a book series is deemed viable for TV because after all the book sales are fantastic, so why does TV keep changing virtually everything. Embarrassing acting and just crap, I'm sorry for fans of the books. Another failure but not as bad as Foundation.
Can't rate it as a adaptation but I can say it's better than 'Letters to the King' or 'Smoke and Bone'. Having said there's over use of sometimes shoddy cgi and the clichés come thick and fast.