Firefly Poster

Firefly (2002)

Adventure | SciFi 
Rayting:   9.0/10 243987 votes
Country: USA
Language: English

Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.

Episode Guide

Season 1

July 28, 2003Episode 14 The Message
July 21, 2003Episode 13 Trash
December 20, 2002Episode 11 Serenity
December 13, 2002Episode 10 Objects in Space
December 6, 2002Episode 9 War Stories
November 15, 2002Episode 8 Ariel
November 8, 2002Episode 7 Safe
November 1, 2002Episode 6 Shindig
October 25, 2002Episode 5 Out of Gas
October 18, 2002Episode 4 Jaynestown
September 27, 2002Episode 2 Bushwhacked
September 20, 2002Episode 1 The Train Job

Firefly Trailer

User Reviews

zakal 10 October 2003

FOX must have the greatest talent scouts in the world, but the worst executives. "Firefly" is the best example. It was simultaneously the best new show, the best western series in decades, and the best sci-fi show on TV (and coming from a die-hard Trekkie, placing them above "Enterprise" is saying something). They didn't have a single bad episode, and some were spectacular. The premise, the characters, the plots and the dialogue were all top-notch. And FOX cancelled it without even really giving it a chance.

Maybe the show couldn't stand in the end. Maybe I'm alone in this, and there aren't enough fans to justify what the show cost. But making that call after half a season, with half of the episodes pre-empted for baseball playoffs was a phenomenally stupid thing to do. That show should have been here to stay, and it got axed without a chance to prove itself. I only pray the movie works out. At least we'll have something.

attlcox 1 February 2004

Never heard of Firefly? Get your hands on the DVD.

Saw some, weren't that impressed? Get your hands on the DVD.

Loved it? Well, you don't need convincing.

Fox did an incredible disservice to this show by showing the episodes out of order. They still made sense on a very low level, i.e., there weren't a lot of plot points that were part of the continuing arc that ended up being out of order in the order they were aired, but this show is so much better if you see it in the order intended. In the aired episodes, characters would sometimes do things that either seemed out of character or really weird, or sometimes even just boring, that make so much more sense on the DVDs, even though there's a grand total of one scene (and only about 3 lines of that scene) that's different between the DVD and the aired version.

That said, this show is the most innovative thing I've ever seen on TV, even despite its mistreatment. It has nine main characters, all of which are fairly well developed in the pilot episode, who then grow and change but remain true to their characters as originally conceived throughout the rest of the series. I could talk about the incredible attention to detail for the special effects, etc., but special effects are getting really good, so that doesn't really set this apart from a lot of movies out there. The concept seems odd at first, but is amazingly well done, with each world they go to having its own quirks, charms and dangers, but it always comes back to the characters and their relationships with each other.

Rabit 7 January 2004

This show blew me away. The beauty of the production, the detail in the sets, the well written characters, the intelligent stories and concepts, the fun, the drama, and the excitement all amazed me. I don't usually spend time watching TV, but I honestly hated having to wait until the next show! :)

The special effects are seamlessly integrated and beautifully detailed. The manner in which the show was presented - the hand-held cameras, the use of zooms, and the occasional off-focus effect - was very intriguing, giving it a look of a show that was real and gritty, something that really caught your attention but didn't distract you from what was being presented. It made you feel like you were really there, like it was believable.

While there was a Western attitude and flavor to some of the episodes, I always felt that it was more about the lack of authority, the fact that people were just dropped out on these planets without the kinds of support that you would expect. It's presented very well and makes sense to me, although I've heard others take a different approach to it.

If you have the opportunity to get the DVDs, I would highly suggest it. It is well worth the money!

littlemissknowitall 30 May 2004

As with BtVS, the world is divided into people who get Firefly and people who don't. In this series Joss Whedon created one of the most realistic post-war visions of the future ever committed to tape, that at the same time spoke about yesterday and today. Maybe a little too much today for its own good.

The series is anti-corporate, anti-government and, while it takes the stand that some things are worth fighting for, it is largely anti-war. No wonder FOX did everything in its power to kill it off, including airing episodes out of order, skipping weeks after airing only three eps and, inevitably canceling the show without even airing episodes 12, 13 and 14 (out of 15). This was particularly damaging, as Firefly had a greater sense of ongoing plot than any other Whedon series in its first year. Viewers were left wondering, on more than one occasion, when a character would reference something we hadn't seen yet.

The backstage dramatics aside, Firefly is intelligent and, like Buffy, mythic - except this time Whedon is dealing with the myth of America: the Frontier, the Civil War, the rise of the Corporation, etc . . .

Firefly is a demanding show. It asks its audience to appreciate the shades of grey in its characters' moral scale. The villains are not comfortingly dressed as an alien race. In 500 years mankind will still be its own worst enemy. Technology will be in the hands of a privileged few, and others will in "The Black" - Whedon's frontier third world - where it is possible to exist without the interference (or benefit) of civilization and government. Things will be dirty, and used. Firefly creates a universe that almost totally opposes that of (that bastion of television sci-fi) Star Trek: its Federation-like central power (the Alliance) is interpreted as being oppressive and dystopic. We are on the side of those who resisted (like the Maqui) and lost.

The acting is strong, the writing as excellent, funny and moving as on any Whedon show, and the effects and sets create a consistent, believable world. It is a shame the series didn't have a more hospitable environment in which to grow and become all it could have been.

nchanter 20 May 2004

I felt I had to comment on this show because of another persons negative opinion on it(target audience of 8 or 9 years). I find this show addicting and the characters far more interesting than many sci-fi shows that have gained far more publicity because of their special effects. Each character is very well developed and entices the audience to want to find out more about them. As a personal response as to why weapons haven't developed beyond the space western....several of the episodes show scenes of past and current technology far more advanced than the weapons used in the show on a regular basis.laser guns,magnetic grapplers,floating cities,multiple brain surgeries involving nerve manipulation,killer sonic tech,and much more. The show is set on the frontier of known space with characters that are not rich. A regular western gun is all that can be safely used on a spaceship. Another gun, whether laser or high caliber projectile weapon will pierce the hull and cause major problems for the crew..if not kill them outright.

The social intricacies of the companions and the "Houses" they come from, the military training of the "shepherd" preacher, the developing psionic powers of "the crazy sister-river" and all the others leads me to believe that Whedon put a lot of planning and thought into each character and the personal world they live in. They all seem to have a substantial, believable past. They all seem to have personal goals that are not necessarily tied to the show...as if they could leave at any time if their lives and beliefs take them that way. This comes across as very believable.

While others are entitled to their own opinion, all of this, in my opinion, makes me think this show is worth every penny spent to produce it. I also own it.

securis 11 February 2004

This series is an excellent series. However, like other high quality shows, this one was cancelled prematurely. Science fiction often takes time for people to warm upto it, but in the end, the fanbase makes up for the time lost. (Stargate SG-1 was tossed around from HBO to Fox and now to SciFi where it is now the hottest scifi show on television) The magnitude of Star Trek: The Original Series was not realized until it was prematurely cancelled. Look at the money Paramount is making off of the franchise. This show is like many others who deserve recognition in science fiction. I recommend anyone who appreciates science fiction to watch this series, however, I must warn you that the ending is exceptionally disappointing. It is unfinished... an abrupt ending with so many lose ends, it may leave you with a feeling of grave disappointment when you realize there's no more episodes to watch... when everything that has been building up in suspense comes to nothing. Networks sure know how to get people to stop watching TV... cancel anything of any value.

goddessh 5 June 2004

I have to admit, I had serious doubts about this show. I hate westerns, and a sci-fi/western combination sounded like a really bad show concept--especially since the most recognizable actor in the show was a guy who had a minor part in Two Guys, A Girl, and A Pizza Place (itself a pretty forgettable show). But I found myself getting drawn into this series very quickly. It is very witty, as well as suspenseful. The characters are a lot of fun, too. It is definitely a little quirkier than most of the shows out there, but is that really a bad thing? I loved the banter, loved the acting, and was very disappointed to watch the last episode last night. This show deserved better than to be canceled in the middle of its first run. I'm guessing that the humor was too high-brow for most of the TV watchers of the world.

anubis1138 16 May 2004

Firefly was easily the best sci fi show Fox developed aside from the X-Files. It had science fiction staples spaceships, laser pistols, and tech, but also a nice retro quality of frontier western speech, horses, and guns. The humor alone made this one of the best shows on television. The Joss Whedon ability to spin a familiar plot convention/line in a surprising direction and the top notch cast of talented and charismatic actors help make this cancelled science fiction Fox casualty a cult favorite and upcoming movie. While the discussion about why it was cancelled and who was to blame is up for debate, no one can argue 200,000 in DVD secondary market sales to date. Clearly, Firefly was a show that deserved a chance to shine and with it's incarnation next year as a film, will allow this phoenix to rise again.

Darknessinthesky 22 January 2004

There is one big premise that you have to swallow in order to like this show. If you can't cope with it, you won't like it, because it will smack you in the face in every episode.

It is like the James Bond movies, if you don't accept, as a premise, that Bond, James Bond, can do everything, fly, drive, shoot, use *every* piece of machinery on the planet, that he can shoot better than all his adversaries (who all miss, all the time) and gets *all* the babes, if you don't accept this, you have to hate James Bond movies, because they are ridiculous. We talk about suspense of disbelief.

The one thing you have to swallow, without thinking about it, is, that in this particular science fiction universe, the future looks like this:

You have core planets, which are like one would imagine future worlds: Big, beautiful buildings, hight tech gadgets, spaceships and shuttles, modern weapons (some that don't kill by using some kind of sonic boom), flat displays, a modern, digital credit system instead of localised currency, a totally diverse people influenced by every imaginable culture, heavily influenced by the chinese society, the only remaining superpower besides the USA and so forth.

But, and this is a capitalized BUT: There are also the outer rim planets. They don't have a developed infrastructure and such. Settlers are dumped on planets with next to nothing, exploited to recover raw materials, used as cheap labor, trying to survive. Still sounds reasonable, no? The catch is: all these outer rim worlds look like you have been thrown into a cheap spaghetti WESTERN movie.

They trade cows, they use old revolvers, drive horses and dress in western-style garments. You have little, old, dirty small villages with a saloon and stuff. These outer rim planets, out of reach of the civilised Alliance, are a no-mans-land, with superstitious, uneducated fools, where the strong fist rules - if you have the most men and guns behind you, you are the law. The poor grunt is like the cowboy in a typical western movie.

Hard to accept? Partially yes, of course. But there is logic in almost everything: there are future references everywhere! Real food (as opposed to synthesized proteins) is a rare commodity, the RICH guys have laser guns or state of the art display devices.

And - they stay true to this premise throughout the show, which is a rare thing in today's entertainment.

But apart from this (for some) hard to accept premise, this show is the most entertaining, clever, realistic(!), funny, imaginative, creative, thrilling piece of entertainment I had the pleasure of viewing (by downloading it from the internet) in years (don't get me wrong: I downloaded it because I live in Germany and the show was never aired here, and I asked my brother, who lives in the USA, to get me the DVD as a christmas present - and he did)

As for realism: Why do they still use guns to kill people, why not lasers like in Star Trek (which i am avid fan of)? I say: guns kill people, bullets are cheap. Guns get the killing done. (And there are modern (bullet) guns and lasers in the show, they exist, they are simply not widespread and only available to the rich.

No sound in space - a little thing with big impact. Not only is it realistic, but it adds to the atmosphere. Instead of ridiculous sound effects the scenes in space are underlaid with vivid music, only emphasising the vastness and nothingness of space.

The basics of the universe comply with our world

Welsh_Corgie 18 April 2004

Comparable in flavor to critically-acclaimed Cowboy Bebop. If you're one of the many people that enjoy a good, character-driven show, with a decent plotline and writing hand-crafted by some of the finest in the business, then this is the show for you. Apparently so for the Fox network, but only for a few weeks. Thankfully, the show was released in its entirety on DVD, in all of its glory. Also, as if the brilliant episodes weren't enough to satisfy, there are great, insightful commentaries on most episodes, by creator Joss Whedon and others, and lots of other extras. I can't say enough about this show. Everyone was sad to see this show go, especially the stars.

***** out of *****

dysamoria 26 January 2003

Series creator Joss Whedon took a somewhat familiar concept (science fiction as the new "wild west frontier") and freshened it up with a lively, chemistry-rich cast of characters, a richly detailed, plausible and interesting social setting, a dash of excitement, classic science fiction "find the better part of humanity" ideals, a goal to avoid or make light of most of the tired and worn-out genre cliches and a fantastic production team. The resulting product? An excellent piece of original artful entertainment that was a breath of fresh air in the stagnating science fiction scene on television (or anywhere else).

Today, where is Firefly? Canceled after airing about 11 episodes, out of order, of the mere 13 episodes contracted. Why? Fox executives considered the ratings to be "abysmal." Were they? This may be subjective. At the time, Fox was (and still is) pushing almost costless, content-free exploitative "reality television" (such as Joe Millionaire) and formula-reuse "genre simulation" eye candy (such as "John Doe"). In comparison, Firefly, with film quality special effects, a full cast, directors, writers, editors and so forth likely looked to be a much smaller payout. After all, television in the USA is not about art or entertainment; it is about making as much money from sponsors as possible.

Fox didn't think that the Firefly pilot was "exciting" enough. Joss Whedon made some changes to address their concerns. Then Fox didn't even bother to SHOW the pilot until the very last airdate of Firefly, prior to cancellation ("tonight's special: two hour celebration of the cancellation of Firefly!"). Promotion of Firefly was half-hearted at best. On a channel that tells its viewers "Hey, who needs drama?" is there any chance that the marketing people even know HOW to promote something other than sitcoms and exploitative reality shows? Fox is basically telling its own audience that it doesn't like its own programming, so why should people watch it??

As we face the homogenization of television content, Firefly was a brilliant spark of newness and excitement for those of us (the few) in the television audience that desire thought-provoking story-telling and entertainment that actually requires a viewer's mind to be active instead of blank. To some of us, the outcome was never really in question; how could something this good survive on networks (and with advertisers) that believe the lowest-common-denominator is their ideal target?

Knowing the likely outcome, the failure of Firefly hurts all the more because of just how good it actually was in such a short amount of time.

It wasn't about the space ships; it was about the life lived in and around them. It wasn't about the aliens (there weren't any); it was about the people. It wasn't about the struggle between the evil bad-guys and the super heros; it was about the daily struggle to BE a "good-guy" in a world filled with people who often didn't try very hard and the fact that sometimes the heros are just regular people afterall. It wasn't about the sex; it was about the attitudes people have about sex. It wasn't about the profits; it was about selling a good product and deserving the profits.

It is quite telling to see what kind of programming thrives in this economy and what kind of programming gets a sharp stick in the eye. If we are to believe the executives of Fox and other ne

film-critic 17 January 2006

Firefly is like no other television program. Only lasting one year, with episodes randomly thrown on strange nights on FOX, this series boasted a classic combination of science fiction with a western flair. How could it go wrong? A humorous program that had fun, fought bad guys, and harbored extremely dark secrets. Why did it only last one season? Marketing. FOX, as we all can learn from my review of Outfoxed, is not quite the "fair and balanced" type of programming that it promotes, but instead attaches itself to the hottest trend and pushes it nearly to the point of sickness. For those that would disagree, I ask you to check out how many predictable seasons of American Idol we will have to endure until someone realizes that it lost its steam a many a moon ago. Or how about the disaster of a series called Wife Swap? Honestly, did FOX just ignore the idea of creativity and push directly for insulting "reality" television? From what I see on television today, I could only assume the answer to be "yes". Firefly was a bold, unique, and highly original series that gave us powerful characters, detailed stories, and that Lost itch in the back of your mind that keeps you asking that age old question, "why". Yet, in all of its power, it was canceled.

Firefly is perfection on a stick. The twang of the guitar, the stone-face stare of Mal, the goofiness of Jayne (is that a girls name?), the questionable past of Shepard Book, the humor of Wash, the power of Zoe, and the innocence of Kaylee is exactly why I fell in love with this show. This is honestly, one of the few series that I could go back from the beginning and watch again, loving every moment of it. Whedon created a masterpiece in my eyes, and a huge opportunity was missed by several major networks to keep this imagination alive.

While some will argue that Firefly was full of nothing more than C-rated actors who were "shallow cut-outs, and whose dialogue never rises above the level of a so-so sitcom", I thought that they brought so much personality and charisma to a smorgasbord of unoriginal programming. I wanted to know the truth behind River and the darkness behind the good Shepard. I continually waited for a snappy comeback from Mal, and was excited whenever he showed humility. Jayne was a big favorite of mine, always questioning authority, yet as loyal as the family dog. The love between Zoe and Wash brought a new layer of honesty to this sci-fi series. It wasn't just about paying for the ship, flying through unmapped terrain, or stealing, it was about humanity. That sense of humanity could be found in the opening episode for this series aptly titled "Serenity". In it, the crew takes upon some passengers with some rather unknown cargo. Inside one of those crates is a girl that will change their lives forever. For this series to work successfully, as it did, we needed human characters that bled, felt compassion, and demonstrated connectiveness to each of us. Mal's ship, Serenity, was a living example of how television could be done creatively and originally.

The characters could only be as strong as the words that were handed to them. Listening to the words that pass through Mal's mouth, the charm of Wash, or even the inconsistent ramblings of River, you could only wonder where Whedon could have gone with all of them. In each of these characters, Whedon had written secrets. While, sadly, we may never know what they all were, that is what made you itch for more episodes. You not only wanted

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